Last year, the celebrated New Yorker writer David Grann spoke with Nieman Storyboard about his book, The Wager. The interviewer asked Grann how he manages to keep coming across the kind of stories that most writers would dream of finding, even once in their lives.
Here’s how Grann responded:
“Coming up with the right idea is the hardest part. First, you try to find a story that grips you and has subjects that are fascinating. Then, you ask: Are there underlying materials to tell that story?… The third level of interrogation is: Does the story have another dimension, richer themes, or trap doors that lead you places?”
He later adds:
“I spend a preliminary period ruthlessly interrogating ideas as I come across them, even though it’s time-consuming and a bit frustrating. I don’t want to wake up two years into a book project saying, ‘This isn’t going anywhere.’”
These quotes caught my attention because their relevance extends beyond the craft of writing and to the broader concern of cultivating depth in a world increasingly mired in digitally-enhanced shallowness.
